We all Know That, Don´t We?: Situating Scholarly Knowledge about the Czech 'Folklore Movement'
1.
SYSNO ASEP
0540460
Druh ASEP
C - Konferenční příspěvek (mezinárodní konf.)
Zařazení RIV
D - Článek ve sborníku
Název
We all Know That, Don´t We?: Situating Scholarly Knowledge about the Czech 'Folklore Movement'
Tvůrce(i)
Zdrálek, Vít (UEF-S)
Celkový počet autorů
1
Zdroj.dok.
Folklore Revival Movements in Europe post 1950: Shifting Contexts and Perspectives. - Praha : Etnologický ústav AV ČR, v. v. i., 2018 / Stavělová D. ; Buckland T. J.
- ISBN 978-80-88081-22-7
Rozsah stran
s. 369-382
Poč.str.
14 s.
Forma vydání
Tištěná - P
Akce
Folklore revival movement of the second half of the 20th century in shifting cultural, social and political contexts
Datum konání
17.10.2017 - 19.10.2017
Místo konání
Praha
Země
CZ - Česká republika
Typ akce
EUR
Jazyk dok.
eng - angličtina
Země vyd.
CZ - Česká republika
Klíč. slova
Czech music folkloristics ; Czech music ethnology ; Cpost-communism ; positionality of knowledge ; self-reflexivity
Vědní obor RIV
AC - Archeologie, antropologie, etnologie
Obor OECD
6.5 Other Humanities and the Arts
CEP
GA17-26672S GA ČR - Grantová agentura ČR
Institucionální podpora
UEF-S - RVO:68378076
UT WOS
000680861800023
Anotace
The text is a reflexive contemplation of the ‘common sense’ in Czech music folkloristics/ethnology from the point of view of the Czech ethnomusicologist whose personal as well as research experience has, significantly in this context, been formed outside the Czech folklore and folkloristics/ethnology practices and discourses. Partly based on reflexive ethnographic observations of the ongoing research project ‘Weight and Weightlessness of Folklore: The Folklore Movement of the Second Half of the 20th Century in the Czech Lands’ (2017-2019) hosted by the Ethnological Institute, Czech Academy of Sciences, partly based on autoethnographic self-inspections of the author’s experience of the ‘alien affect’ towards the dominant Czech folklore discourse in the Czech-German ‘borderlands’ of the 1980s and the 1990s, and partly discussing the post-1989 folkloristics/ethnology versus anthropology debate and the less pronounced, but no less acute music folkloristics/ethnology versus ethnomusicology debate in the Czech Republic, the text formulates what it hopes to be the key questions for understanding the positionality of Czech music folkloristics/ethnological knowledge and creates an intellectual space for self-reflexive disciplinary discussion which it sees as critical for the future of the Czech music folkloristics/ethnological research.
