Počet záznamů: 1  

Clay and alunite-rich materials in painting grounds of prominent Italian masters – Caravaggio and Mattia Preti

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    SYSNO ASEP0518621
    Druh ASEPJ - Článek v odborném periodiku
    Zařazení RIVJ - Článek v odborném periodiku
    Poddruh JČlánek ve WOS
    NázevClay and alunite-rich materials in painting grounds of prominent Italian masters – Caravaggio and Mattia Preti
    Tvůrce(i) Hradil, David (UACH-T) RID, SAI
    Hradilová, J. (CZ)
    Lanterna, G. (IT)
    Galeotti, M. (IT)
    Holcová, K. (CZ)
    Jaques, V. (CZ)
    Bezdička, Petr (UACH-T) SAI, RID, ORCID
    Celkový počet autorů7
    Číslo článku105412
    Zdroj.dok.Applied Clay Science. - : Elsevier - ISSN 0169-1317
    Roč. 185, FEB (2020)
    Poč.str.13 s.
    Jazyk dok.eng - angličtina
    Země vyd.NL - Nizozemsko
    Klíč. slovaAlunite ; Caravaggio ; Globigerina limestone ; Painting grounds ; Powder X-ray micro-diffraction
    Vědní obor RIVDB - Geologie a mineralogie
    Obor OECDMineralogy
    CEPGA17-25687S GA ČR - Grantová agentura ČR
    Způsob publikováníOpen access s časovým embargem (01.02.2022)
    Institucionální podporaUACH-T - RVO:61388980
    UT WOS000510399600005
    EID SCOPUS85076631853
    DOI10.1016/j.clay.2019.105412
    AnotaceRecently, the fine arts' research is increasingly carried out by non-invasive techniques, which do not require any sampling. However, some questions cannot be answered in this way. A typical example is the provenance analysis of the natural materials used in historical paintings. Another question is how much the provenance of the material is related to the provenance of the artwork itself (because of trade with pigments, painters' migration and their artistic preferences). Often, only painter's preference and intention are mentioned, and not economic factors and regional availability of the raw material. This is also the case of clay-based preparatory layers (grounds) on Caravaggio's paintings. In order to prove a connection of the ground composition with the place of the painting's creation, the painting grounds used by two prominent Baroque Masters Caravaggio and Mattia Preti have been investigated using X-ray powder micro-diffraction and Fourier transform infrared micro-spectroscopy in combination with micro-palaentological analysis. It was found that grounds applied by the same painter, but in two closely related regions – Italy and Malta, differ. While pottery clays were used in Italy, weathered Globigerina limestones were applied in Malta in combination with alunite-hematite material. It is the first time ever that such material has been identified as a main component in painting grounds.
    PracovištěÚstav anorganické chemie
    KontaktJana Kroneislová, krone@iic.cas.cz, Tel.: 311 236 931
    Rok sběru2021
    Elektronická adresahttp://hdl.handle.net/11104/0306835
Počet záznamů: 1  

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