Počet záznamů: 1
Rebecca and Eliezer at the well a mysterious oil painting from the Historical Museum of the Slovak National Museum at the Bratislava Castle
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SYSNO ASEP 0489427 Druh ASEP C - Konferenční příspěvek (mezinárodní konf.) Zařazení RIV D - Článek ve sborníku Název Rebecca and Eliezer at the well a mysterious oil painting from the Historical Museum of the Slovak National Museum at the Bratislava Castle Tvůrce(i) Hradilová, J. (CZ)
Kližanová, H. (SK)
Bezák, M. (SK)
Holcová, K. (CZ)
Bezdička, Petr (UACH-T) SAI, RID, ORCIDZdroj.dok. ACTA ARTIS ACADEMICA 2017: PAINTING AS A STORY. - Praha : Academy of Fine Arts in Prague, 2017 / Hradilova J. ; Hradil D. - ISBN 978-80-87108-75-8 Rozsah stran s. 103-111 Poč.str. 9 s. Forma vydání Tištěná - P Akce Interdisciplinary ALMA Conference /6./ : Painting as a story Datum konání 01.06.2017 - 03.06.2017 Místo konání Brno Země CZ - Česká republika Typ akce EUR Jazyk dok. eng - angličtina Země vyd. CZ - Česká republika Klíč. slova Carlo Maratta/Maratti ; materials research ; painting technique ; micropaleontology ; clay-based grounds ; saponification Vědní obor RIV CB - Analytická chemie, separace Obor OECD Analytical chemistry CEP GA17-25687S GA ČR - Grantová agentura ČR GA17-15621S GA ČR - Grantová agentura ČR Institucionální podpora UACH-T - RVO:61388980 UT WOS 000430517600008 Anotace Light microscopy, scanning electron microscopy and microanalysis, X-ray powder micro-diffraction, infrared micro-spectrometry as well as palaeontological analysis have been applied in order to solve the question of provenance of the oil-on-canvas painting Rebecca and Eliezer at the well. In addition to the finding of pigments important for the dating of the painting, as, e.g. Naples yellow (Pb2Sb2O7), or smalt, fossil nannoplankton was described in the carbonate-rich clay ground. It indicates the use of marine sediments of Eocene to Oligocene age. According to mineralogical and paleontological data this ground may be included among grounds used in Italy, particularly in the 17th century. The studied painting is today greatly altered due to extensive reworkings. Prussian blue was used to overpaint faded ultramarine and degraded smalt, which is visibly affected by saponification processes. Pracoviště Ústav anorganické chemie Kontakt Jana Kroneislová, krone@iic.cas.cz, Tel.: 311 236 931 Rok sběru 2019
Počet záznamů: 1