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Gothic canvas painting: an example of technology responding to requirments of the liturgy

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    SYSNO ASEP0441802
    Druh ASEPC - Konferenční příspěvek (mezinárodní konf.)
    Zařazení RIVD - Článek ve sborníku
    NázevGothic canvas painting: an example of technology responding to requirments of the liturgy
    Tvůrce(i) Hradilová, J. (CZ)
    Hradil, David (UACH-T) RID, SAI
    Zdroj.dok.ESRARC 2014 : 6th european symposium on religious art, restoration & conservation : proceeding book. - Firenze : Nardini editore, 2014 - ISBN 9788840443652
    Rozsah strans. 116-119
    Poč.str.4 s.
    Forma vydáníTištěná - P
    AkceEuropean Symposium on Religious Art, Restoration and Conservation /6./
    Datum konání09.06.2014-11.06.2014
    Místo konáníFlorence
    ZeměIT - Itálie
    Typ akceWRD
    Jazyk dok.eng - angličtina
    Země vyd.IT - Itálie
    Klíč. slovaGothic canvas painting ; Tüchleinmalerei ; imprimitura ; materials research
    Vědní obor RIVCA - Anorganická chemie
    CEPGA14-22984S GA ČR - Grantová agentura ČR
    AnotaceMaterials and technological characteristics of large-scale canvas painting The Assumption from White Mountain (around 1450), National Gallery in Prague, have been described with the aim to determine the origin of the artwork. Application of traditional medieaval pigments, execution only the imprimitura instead of conventional ground layer and the shape and distribution of cracks comfi rmed fi nally that the painting is original, not transferred, not a copy, and was probably used as a portable painting within Christian liturgy. The simplifi ed technology of making was responding (as in other similar cases) to initially intended temporary usage of these paintings as fasting canvases, flags in liturgical processions, imitation of tapestries etc., and lead to generally worst state of their preservation with respect to more frequent wooden panels.
    PracovištěÚstav anorganické chemie
    KontaktJana Kroneislová, krone@iic.cas.cz, Tel.: 311 236 931
    Rok sběru2015
Počet záznamů: 1