Počet záznamů: 1

Gothic canvas painting: an example of technology responding to requirments of the liturgy

SYSNO ASEP	0441802
Druh ASEP	C - Konferenční příspěvek (mezinárodní konf.)
Zařazení RIV	D - Článek ve sborníku
Název	Gothic canvas painting: an example of technology responding to requirments of the liturgy
Tvůrce(i)	Hradilová, J. (CZ) Hradil, David (UACH-T)_{RID, SAI}
Zdroj.dok.	ESRARC 2014 : 6th european symposium on religious art, restoration & conservation : proceeding book. - Firenze : Nardini editore, 2014 - ISBN 9788840443652
Rozsah stran	s. 116-119
Poč.str.	4 s.
Forma vydání	Tištěná - P
Akce	European Symposium on Religious Art, Restoration and Conservation /6./
Datum konání	09.06.2014-11.06.2014
Místo konání	Florence
Země	IT - Itálie
Typ akce	WRD
Jazyk dok.	eng - angličtina
Země vyd.	IT - Itálie
Klíč. slova	Gothic canvas painting ; Tüchleinmalerei ; imprimitura ; materials research
Vědní obor RIV	CA - Anorganická chemie
CEP	GA14-22984S GA ČR - Grantová agentura ČR
Anotace	Materials and technological characteristics of large-scale canvas painting The Assumption from White Mountain (around 1450), National Gallery in Prague, have been described with the aim to determine the origin of the artwork. Application of traditional medieaval pigments, execution only the imprimitura instead of conventional ground layer and the shape and distribution of cracks comfi rmed fi nally that the painting is original, not transferred, not a copy, and was probably used as a portable painting within Christian liturgy. The simplifi ed technology of making was responding (as in other similar cases) to initially intended temporary usage of these paintings as fasting canvases, flags in liturgical processions, imitation of tapestries etc., and lead to generally worst state of their preservation with respect to more frequent wooden panels.
Pracoviště	Ústav anorganické chemie
Kontakt	Jana Kroneislová, krone@iic.cas.cz, Tel.: 311 236 931
Rok sběru	2015

Počet záznamů: 1