Počet záznamů: 1
Gothic canvas painting: an example of technology responding to requirments of the liturgy
- 1.
SYSNO ASEP 0441802 Druh ASEP C - Konferenční příspěvek (mezinárodní konf.) Zařazení RIV D - Článek ve sborníku Název Gothic canvas painting: an example of technology responding to requirments of the liturgy Tvůrce(i) Hradilová, J. (CZ)
Hradil, David (UACH-T) RID, SAIZdroj.dok. ESRARC 2014 : 6th european symposium on religious art, restoration & conservation : proceeding book. - Firenze : Nardini editore, 2014 - ISBN 9788840443652 Rozsah stran s. 116-119 Poč.str. 4 s. Forma vydání Tištěná - P Akce European Symposium on Religious Art, Restoration and Conservation /6./ Datum konání 09.06.2014-11.06.2014 Místo konání Florence Země IT - Itálie Typ akce WRD Jazyk dok. eng - angličtina Země vyd. IT - Itálie Klíč. slova Gothic canvas painting ; Tüchleinmalerei ; imprimitura ; materials research Vědní obor RIV CA - Anorganická chemie CEP GA14-22984S GA ČR - Grantová agentura ČR Anotace Materials and technological characteristics of large-scale canvas painting The Assumption from White Mountain (around 1450), National Gallery in Prague, have been described with the aim to determine the origin of the artwork. Application of traditional medieaval pigments, execution only the imprimitura instead of conventional ground layer and the shape and distribution of cracks comfi rmed fi nally that the painting is original, not transferred, not a copy, and was probably used as a portable painting within Christian liturgy. The simplifi ed technology of making was responding (as in other similar cases) to initially intended temporary usage of these paintings as fasting canvases, flags in liturgical processions, imitation of tapestries etc., and lead to generally worst state of their preservation with respect to more frequent wooden panels. Pracoviště Ústav anorganické chemie Kontakt Jana Kroneislová, krone@iic.cas.cz, Tel.: 311 236 931 Rok sběru 2015
Počet záznamů: 1