0603597 - ÚTAM 2025 RIV US eng J - Journal Article
Trefný, M. - Mischka, D. - Cihla, Michal - Posluschny, A. G. - Václavík, F. - Ney, W. - Mischka, C.
Sculpting the Glauberg ˮprinceˮ. A traceological research of the Celtic sculpture and related fragments from the Glauberg (Hesse, Germany).
PLoS ONE. Roč. 17, č. 8 (2022), č. článku e0271353. ISSN 1932-6203. E-ISSN 1932-6203
Institutional support: RVO:68378297
Keywords : sandstone * sculptures * Early Iron Age * Central Europe * La Tene culture
OECD category: Materials engineering
Impact factor: 3.7, year: 2022 ; AIS: 0.946, rok: 2022
Method of publishing: Open access
Result website:
https://doi.org/10.1371/journal.pone.0271353DOI: https://doi.org/10.1371/journal.pone.0271353

Article presents the results of a complex traceological research of the famous statue of the „prince”of Glauberg, found in an Early La Tène funeral complex in Glauberg (Hesse). Research focused also on two other fragments of related sandstone sculptures, found together with the Glauberger prince. The sandstone „prince”of Glauberg was already in the
past a subject of many archaeological studies. Nevertheless, all or absolute majority of them were focused on aspects of art historian nature or on the question of the origin, role and function of such sculptures in the Early Iron Age Central Europe. On the contrary, the aim of our research is oriented exclusively on the questions related to the manufacture of this sculpture, identification of used sculptor´s tools and applied working techniques. Our research was realised by means of digital documentation followed by the aplication of traceological methods. The character of the survived working traces on the sculpture´s surfaces was studied by mechanoscopy, while the material of used tools was determined by Xray fluorescence. The reconstructions of used tools were compared with the existing tools as represented by the Iron Age archaeological finds. This comparison was oriented on the most relevant regions of developed La Tène culture, particularly on South Western Germany and Bohemia. However, also other relevant area, significant as the possible source of inspiration of Celtic sculptors for the creation of the monumental sculpture–Apennine peninsula, was taken into consideration. Our research revealed individual steps and phases during the sculpture´s manufacture, enabled the reconstrucion of used tools and confirmed real existence of such tools in mentioned regions. Finally it has brought first indices of the necessity of the distinguishing between ideological and technological aspects of related Celtic sculpture, when considering possible influence of Apennine peninsula on transalpine Central Europe.
Permanent Link: https://hdl.handle.net/11104/0360945