Počet záznamů: 1  

Contemporary Art and the Problem of Indiscernibles. An Adverbialist Approach

  1. 1.
    SYSNO ASEP0570623
    Druh ASEPJ - Článek v odborném periodiku
    Zařazení RIVJ - Článek v odborném periodiku
    Poddruh JČlánek ve WOS
    NázevContemporary Art and the Problem of Indiscernibles. An Adverbialist Approach
    Tvůrce(i) Koblížek, Tomáš (FLU-F) RID, ORCID, SAI
    Zdroj.dok.Estetika: The European journal of aesthetics
    Roč. 60, č. 1 (2023), s. 19-35
    Poč.str.17 s.
    Forma vydáníOnline - E
    Jazyk dok.eng - angličtina
    Země vyd.FI - Finsko
    Klíč. slovacontemporary art ; nonperceptual aesthetic experience ; metacognitive feelings ; adverbialism ; Jérôme Dokic ; James Shelley ; Arthur Danto
    Vědní obor RIVAA - Filosofie a náboženství
    Obor OECDPhilosophy, History and Philosophy of science and technology
    Způsob publikováníOpen access
    Institucionální podporaFLU-F - RVO:67985955
    UT WOS000960121700002
    EID SCOPUS85153612907
    DOI10.33134/eeja.283
    AnotaceThis paper addresses Arthur Danto’s claim that contemporary artworks, such as Andy Warhol’s Brillo Box, do not differ perceptually from ordinary objects, and that in order to see contemporary artworks as art the viewer has to move from mere experience to a meaning expressed by the work. I propose to supplement Danto’s thesis. I argue that, while some contemporary artworks may indeed be perceptually indistinguishable from ordinary objects, these works are distinguishable not only by means of meaning but also by means of a non-perceptual aesthetic experience. I then discuss two theories that might provide a model of such an aesthetic experience. First, I focus on James Shelley’s theory of non-perceptual aesthetic experience conceived as a representation of non-perceptual aesthetic properties. Second, I discuss Jérôme Dokic’s adverbialist theory, which sees aesthetic experience as a combination of non-aesthetic attitudes. I argue that the adverbialist model is the most promising candidate for solving our problem. The model must be extended, however, if it is to account for pragmatic attitudes in response to artworks.
    PracovištěFilosofický ústav
    KontaktChlumská Simona, chlumska@flu.cas.cz ; Tichá Zuzana, asep@flu.cas.cz Tel: 221 183 360
    Rok sběru2024
    Elektronická adresahttps://doi.org/10.33134/eeja.283
Počet záznamů: 1  

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