Czech Sculpture in the Late 19th and Early 20th Centuries and Its Attitude Towards Vienna

0554852 - ÚDU 2023 DE eng J - Článek v odborném periodiku
Krummholz, Martin
Czech Sculpture in the Late 19th and Early 20th Centuries and Its Attitude Towards Vienna.
RIHA Journal. -, July (2021), č. článku 0265. ISSN 2190-3328
Grant CEP: GA MK DG16P02B052
Klíčová slova: sculpture * nationalism * monuments * Prague * Vienna
Obor OECD: Arts, Art history
Způsob publikování: Open access
https://journals.ub.uni-heidelberg.de/index.php/rihajournal/article/view/81896

During the course of the 19th century, Czech society underwent an intensive process of national revival and emancipation from Vienna. For a long time, under the influence of Czech nationalists, surveys of developments in the arts field did not include German-speaking artists from the Czech lands, such as the brothers Max and Franz Metzner or Hugo Lederer. In 1902, the exhibition in Prague of the works of Auguste Rodin disrupted the monopoly enjoyed by Josef Václav Myslbek. Prague´s two biggest national monuments (Jan Hus by Ladislav Šaloun and František Palacký by Stanislav Sucharda) confirm the fascination with Rodinesque pathos at that time.
Trvalý link: http://hdl.handle.net/11104/0329478