Commodifying Postsocialist Cinema. Filmmakers and the Privatization of the Polish and Czech Film Industry after 1989

0557912 - ÚSD 2023 RIV GB eng J - Článek v odborném periodiku
Pehe, Veronika
Commodifying Postsocialist Cinema. Filmmakers and the Privatization of the Polish and Czech Film Industry after 1989.
Journal of Contemporary Central and Eastern Europe. Roč. 30, č. 1 (2022), s. 11-26. ISSN 2573-9638. E-ISSN 2573-9646
GRANT EU: European Commission(XE) 749475 - ATFM
Institucionální podpora: RVO:68378114
Klíčová slova: film industry * privatization * postsocialism
Obor OECD: History (history of science and technology to be 6.3, history of specific sciences to be under the respective headings)
Způsob publikování: Open access
https://www.tandfonline.com/doi/full/10.1080/25739638.2022.2044617

The state’s efforts at privatization after the collapse of communist regimes in Eastern Europe often met with disapproval from cultural producers, who worried that their form of cultural production (often understood by them as „art” rather than „commodity”) required state patronage to survive. This paper examines the case of cinema in the Czech Republic and Poland. Using contemporary press sources, it traces how filmmakers responded to the new prominence of commercial cinema and their often-perceived loss of prestige and status of “autonomous artists”. Both the creative outputs and the discourse of filmmakers illustrate the changing values attached to the free market and to the purpose of cultural production in a market economy during transformation. Following a generational story, the paper establishes similarities between the discourse of different age groups of filmmakers in both countries. But at the same time, it accounts for the diverging acceptance of marketization by outlining country-specific differences: filmmakers searched for a language to critique or to affirm the transformation, their stance largely dependent on the extent to which they worked with inherited modes from the late socialist era, specific cultural traditions, and the financial conditions in which they operated.
Trvalý link: http://hdl.handle.net/11104/0331797