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Why Do We Have So Many Carnivals in Town Today? An Event Between Ritual, Politics, and Festival

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    0580407 - EÚ 2024 RIV SK eng J - Článek v odborném periodiku
    Stavělová, Daniela
    Why Do We Have So Many Carnivals in Town Today? An Event Between Ritual, Politics, and Festival.
    Slovenský národopis. Roč. 71, č. 4 (2023), s. 342-364. ISSN 1335-1303. E-ISSN 1339-9357
    Grant CEP: GA ČR(CZ) GF22-31474K
    Institucionální podpora: RVO:68378076
    Klíčová slova: carnival * community * urban * memory * politics * Prague
    Obor OECD: 6.5 Other Humanities and the Arts
    Impakt faktor: 0.3, rok: 2023
    Způsob publikování: Open access
    Web výsledku:
    https://www.sav.sk/?lang=sk&doc=journal-list&part=article_response_page&journal_article_no=31645
    DOI: https://doi.org/10.31577/SN.2023.4.33

    Since the late 1990s in the Czech Republic, rural carnival celebrations in urban environments have become a phenomenon through which to experience and gain knowledge of cultural patterns associated with the pre-industrial period. This article explores some of the key elements that make carnival tradition an ideal resource for reimagining festivities in the modern era. The study also highlights the ways communication takes place within the public space and the sharing of common ideas through non-verbal means, which significantly strengthening society’s capacity for social resilience. The article focuses on carnivals held since the 2014 in Prague and its surroundings, examining how their contemporary manifestations are a tool for individual districtsto make certain groups of inhabitants and their visions more visible. Based on long-term qualitative research on these events, the paper analyses the process of ‘carnivalisation’ and ‘communitisation’ in recent times and reflects on the role of collective memory in constructing the form of today’s carnivals. The main question asked is what kind of event these newly rethought carnivals represent. Carnival is perceived here as a politicised process of community building, lifestyle narration, and/or social protest.

    Trvalý link: https://hdl.handle.net/11104/0349755

     
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