Transformations in the Interpretation of Music Folklore: From the Protection of Everyday Culture to the Emergence of a Music Genre (Using the Czech Republic as a Case Study)

0580962 - EÚ 2024 RIV CZ eng C - Konferenční příspěvek (zahraniční konf.)
Uhlíková, Lucie - Pavlicová, M.
Transformations in the Interpretation of Music Folklore: From the Protection of Everyday Culture to the Emergence of a Music Genre (Using the Czech Republic as a Case Study).
Od folkloru k world music: Nové cesty ke staré hudbě. Náměšť nad Oslavou: Městské kulturní středisko v Náměšti nad Oslavou, 2023, s. 24-40. ISBN 978-80-907033-8-4. ISSN 2336-565X.
[Od folkloru k world music: Nové cesty ke staré hudbě. Náměšť nad Oslavou (CZ), 24.07.2023-27.07.2023]
Institucionální podpora: RVO:68378076
Klíčová slova: Music folklore * transformations of folk tradition * music genre * folk revivalism in the Czech Republic
Obor OECD: Folklore studies
https://image.folkoveprazdniny.cz/2023/kolokvium2023/sbornik2023_04_Pavlicova_Uhlikova_en.pdf

From the 1960s onwards, efforts began to develop in Czech ethnology, which gradually began to include folklore manifestations in their second existence in professional research. The field of folklorism sometimes overlapped with the existence of folk traditions, sometimes built on them, and sometimes was only inspired by them to varying degrees. The distinction in such defined categories was not easy even in the past, and with the increasingly rapid development of society, it became blurred in the general consciousness. Within this scope, a contemporary broad music genre, music folklore, has emerged that is not easy to define in terms of content. In this paper, the authors outline its historical formation, show model moments of its development, and deal with its polyfunctionality: many collectives present themselves not only on stage (together with dancers) and in concert settings (independently), but also participate in local ethno-cultural traditions, dance parties, family celebrations (weddings, birthdays), and commercially focused events. To illustrate this, the paper uses archival source material, and field research based on interviews with selected musicians.
Trvalý link: https://hdl.handle.net/11104/0349594