Luxembourg Court Cultures in the Long Fourteenth Century. Performing Empire, Celebrating Kingship

0578116 - MÚA 2024 RIV GB eng M - Část monografie knihy
Panušková, Lenka
The Vyšší Brod Cycle and its anonymous painter: French and Bohemian court circles in the 1340s.
Luxembourg Court Cultures in the Long Fourteenth Century. Performing Empire, Celebrating Kingship. Woodbridge: Boydell, 2024 - (Kügle, K.; Ciulisová, I.; Žůrek, V.), s. 105-133. ISBN 978-1-83765-005-7
Grant CEP: GA ČR(CZ) GA19-07473S
Institucionální podpora: RVO:67985921
Klíčová slova: Vyšší Brod * Charles IV * medieval panel painting
Obor OECD: Arts, Art history
https://openaccess.boydellandbrewercms.com/publications/-270970/luxembourg-court-cultures-in-the-long-fourteenth-century#

The chapter deals with the Vyšší Brod cycle, a cycle of nine panel paintings showing the christological cycle. It analyses questions concerning the commissioner and the workshop in which the cycle originated. Particularly the issue of the anonymous painters working on the commission is analysed in more detail. The chapter works with hypothesis suggested by Aloysia Berens. Berens assumes it was the same painter who participated on illuminating the manuscript A (BNF, ms. fr. 1584) which contains the collected works of Guillaume de Machaut.
Trvalý link: https://hdl.handle.net/11104/0349348