Yanshan Tribune

0577763 - OÚ 2024 RIV CN chi M - Část monografie knihy
Blahota, Martin
绕过殖民地文化审查制度的方法. 以爵青的小说《艺人杨崑》为例.
[Bypassing colonial censorship. The case of Jue Qing’s short story “Yiren Yangkun”.]
Yanshan Tribune. Vol. 3. Qinhuangdao: Yanshan Universtiy Press, 2023, Roč. 2023, č. 3 (2023), s. 183-195. ISBN 978-7-5761-0548-3
Institucionální podpora: RVO:68378009
Klíčová slova: Jue Qing * censorship * modern Chinese literature * Manchukuo
Obor OECD: Specific literatures
Způsob publikování: Omezený přístup
https://mp.weixin.qq.com/s/ZXEFPCosI_gjbfzlq-S8Lw?fbclid=IwAR2i29-AuW22vXoMPBcTuDsFSOeyYulsRpt-07RZZQBKTJilgKLIPK7AV6M

本文探讨爵青（1917-1962）的小說对西方文学作品的互文性参照。本文分析了爵青1943年的短篇小说《艺人杨崑》以及其来源——阿纳托尔·法朗士（1844-1924）的《圣母的江湖艺人》。本研究试图指出，爵青使用此种文本互涉手法，是用来掩饰起来其作品的反殖民主义的批判，也就是绕过殖民地文化审查制度。通过对《艺人杨崑》结构的深入分析解读可知，该作品可以理解为隐藏的纪念萧红(1911-1942)的悼文。

This paper explores the intertextual references to Western literature in the fiction of Jue Qing (1917-1962). The paper analyzes Jue Qing’s 1943 short story “The Acrobat Yang Kun” and its source, Anatole France's (1844-1924) “Le Jongleur de Notre-Dame”. This study attempts to point out that Jue Qing's use of such textual intertextual references is used to disguise the anti-colonial critique of his work, that is, to bypass colonial censorship. An in-depth analytical reading of the structure of “The Acrobat Yang Kun” shows that the work can be understood as a hidden eulogy in honour of Xiao Hong (1911-1942).
Trvalý link: https://hdl.handle.net/11104/0347375