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(In)visible dance research. From nationalism to ideology and liberalization: the Czech case.
- 1.0575067 - EÚ 2024 SI eng A - Abstrakt
Stavělová, Daniela - Gremlicová, Dorota - Hayashi, L. - Machová, D.
(In)visible dance research. From nationalism to ideology and liberalization: the Czech case.
32nd Symposium of the ICTM Study Group on Ethnochoreology. Programme and abstracts. 29 July-5 August 2022, Brežice, Slovenia. Ljubljana: Založba ZRC, 2022 - (Kunej, R.). s. 55-55. ISBN 978-961-05-0660-7.
[Symposium of the Study Group on Ethnochoreology /32./. 29.07.2022-05.08.2022, Brežice]
Grant CEP: GA ČR(CZ) GF22-31474K
Institucionální podpora: RVO:68378076
Klíčová slova: dance research * ideology * Czech Republic
Obor OECD: 6.5 Other Humanities and the Arts
https://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=&ved=2ahUKEwili-fFj6KBAxWS7bsIHbKqB-8QFnoECA4QAQ&url=https%3A%2F%2Fictm-ethnochor2022.zrc-sazu.si%2Fwp-content%2Fuploads%2F2022%2F07%2FICTM2022_abstract-booklet_web.pdf&usg=AOvVaw1VIoL5ETxBanzriibLIJqe&opi=89978449
The panel presentation followed the trajectories of the formation of the national discipline of dance study. Presenters focused on the determining factors of demand of individual historical stages of the development of the study of dance and to affect its contemporary socio-cultural contexts, through the attention to the individualities of scholars engaged in constructing (ethno)choreology. An important starting point was the period of the 19th century when the folk and thus national dance played an important role in the creation of Czech national identity. Dance began to be perceived in a different way during the rise of the totalitarian regime after World War II, when the cultural policy of the state focused on supporting the non-professional hobby activities of the people under state supervision. The transformation of society after 1989 brought not only a change in the political regime, but also new challenges in the field of cultural policy, which to a large extent also affected the perception of dance in a liberalizing society.The enduring legacy of the research period of previous decades required a reassessment and rethinking of research approaches and the subject of study in accordance with international discourse. The ontological and epistemological transformation of dance research raises several questions examining social demand in connection with the cultural and scientific policy of the state.
Trvalý link: https://hdl.handle.net/11104/0345144
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