Muzyčnyj efrazys: zmist i forma

0572967 - SLÚ 2024 RIV UA ukr B - Monografie kniha jako celek
Yukhymuk, Yanina
Muzyčnyj efrazys: zmist i forma.
[Musical ekphrasis: Content and Form.]
Kyjev: Naukova Dumka, 2021. 214 s. ISBN 978-966-00-1803-7
Institucionální podpora: RVO:68378017
Klíčová slova: ekprasis * musical ekprasis * Ukrainian literature * comparative literature * intertextuality * intermediality * interart studies * intersemiotic interpretation * postmodern
Obor OECD: General literature studies
https://www.academia.edu/100102939/Musical_Ekprasis_Content_and_Form

Avtorka monohrafiji proponue zminyty pidchid do analizu chudožnich tekstiv, kotri rozhladajut'sja jak rezul'tat vzaemodiji riznich vydiv mystectva. Vona analizue literaturni ta muzyčni teksty, a takož jichni konotaciji, što utvorjujut' ekfrazys. Meta knyhy - rozmežuvaty dva typy javyšča: jak mystec'koho pryjomu ta jak žanrovoho elementu.
Na materiali tvoriv evropejs'kych ta amerykans'kych pys'mennikiv (sered jakych P. Ch'og, Dž. Faulz, Ju. Izdryk, T. Morrison, Ž. Saramaho, P. Zjuskynd) zdijsnjuet'sja analiz kul'turnoho kodu, za dopomohoju jakoho avtory zdijsnjujut' ″efekt prysutnosti″ dlja čytača.
U knyzi navedeni pryklady vidminnosti ekfrazysu vid inšych rytoryčnych fihur, pryroda jakych poljahae v opysovosti. Same tvorennja j vykorystannja kul'turnoho kodu ta pryncypu perekoduvannja smysliv e, jak vvažae avtorka, holovnym kryteriem dlja identyfikaciji ekfrazysu, ščo vyvodyt' joho za meži zvyčnoho intermedial'noho polja, peretvorjujučy na instrument intertekstual'nosti.

The author of the monograph proposes to change the approach to the analysis of artistic texts, which are considered the result of the interaction of various types of art. She analyzes literary and musical texts and their connotations, which form ekphrasis. The purpose of the book is to distinguish between two types of phenomena: as an artistic technique and as an element of a genre.
Based on the works of European and American writers (P. Høeg, J. Fowles, Y. Izdryk, T. Morrison, J. Saramago, P. Susskind), an analysis of the cultural code was carried out, with the help of which the authors create a ″presence effect″ for the reader.
The book gives examples of the difference between ekphrasis and other descriptive rhetorical figures. According to the author, the main criterion for identifying ekphrasis, which transcends the usual intermediate field and turns it into a tool of intertextuality, is the creation and use of a cultural code and the principle of recoding meanings.

Trvalý link: https://hdl.handle.net/11104/0343600