Pigments-copper-based greens and blues

0547661 - ÚACH 2022 RIV DE eng J - Článek v odborném periodiku
Švarcová, Silvie - Hradil, David - Hradilová, J. - Čermáková, Zdeňka
Pigments-copper-based greens and blues.
Archaeological and Anthropological Sciences. Roč. 13, č. 11 (2021), č. článku 190. ISSN 1866-9557. E-ISSN 1866-9565
Grant ostatní: AV ČR(CZ) StrategieAV21/23
Program: StrategieAV
Institucionální podpora: RVO:61388980
Klíčová slova: Copper pigments * Wall paintings * Origin * Degradation * Analysis
Obor OECD: Analytical chemistry
Impakt faktor: 2.213, rok: 2021
Způsob publikování: Omezený přístup
https://doi.org/10.1007/s12520-021-01406-0

Since antiquity, various copper-containing substances have been used as green and blue pigments. Their exceptional diversity, reflecting their various chemical and phase composition, chemical stability as well as their origin, makes their correct identification challenging. The review focuses on copper-based pigments used in ancient and mediaeval works of art, especially in wall paintings and/or related polychromed decorations or statues-siliceous copper pigments (Egyptian blue and green, Han blue and purple, chrysocolla), copper carbonates (azurite, malachite, blue and green verditers), copper chlorides (atacamite-group, cumengeite, calumetite), copper sulphates (posnjakite, brochantite) and-to a lesser extent-copper acetates (verdigris) and other organometallics. Particular attention is given to the necessity of the detailed study of accompanying phases which can serve as useful indicators of natural and/or artificial origin of copper pigments. Factors affecting the stability of copper pigments in wall paintings-salt attack, oxalic acid, alkalinity and heat-are overviewed. A suitable analytical approach based on complemental combination of in situ and laboratory analyses for proper identification and differentiation of copper pigments is proposed.
Trvalý link: http://hdl.handle.net/11104/0323857