Contextuality of Musicology. What, How, Why and Because

0545126 - EÚ 2022 RIV RS eng M - Část monografie knihy
Kordík, Pavel
Monumentality as a Discrete Dimension of Difference - The Zone of Context(uality).
Contextuality of Musicology. What, How, Why and Because. Belgrade: University of Arts in Belgrade, 2020 - (Popović Mladjenović, T.; Stefanović, A.; Mitrović, R.; Mikić, V.), s. 99-109. ISBN 978-86-81340-25-7
Institucionální podpora: RVO:68378076
Klíčová slova: Miloslav Kabeláč (1908–1979) * Czech Music * 20th Century * Mystery of Time op. 31 * Blue Sky op. 19 * Monumentality * Miniature
Obor OECD: Folklore studies
https://dais.sanu.ac.rs/bitstream/handle/123456789/9963/MB_Contextuality_print.pdf?sequence=1&isAllowed=y

The essence of monumentality is iconoclastic: to break images, monumental images of oneself, to put a man, this self-text, this self-interpreting “I” (me-ipse) into con-text(uality). It is Imagination preceding the Memory – Image, and not the opposite (Michel Foucault, Gaston Bachelard). The discrete dimension of difference is based, in the compositions of the Czech composer Miloslav Kabeláč (1908–1979), on the elemental poetic figure of distance, and of different modalities of distance. These modalities of distance do not simply interact with each other, but rather intertwine in the creation of an intimate relationship.
Trvalý link: http://hdl.handle.net/11104/0322680