Počet záznamů: 1  

The Reputations of Thomas Moore. Poetry, Music, and Politics

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    0511971 - ÚDU 2020 RIV US eng M - Část monografie knihy
    Bunzel, Anja
    Romantic Patriotism and the Building of Reputation: The Case of Robert Schumann’s Das Paradies und die Peri.
    The Reputations of Thomas Moore. Poetry, Music, and Politics. Vol. 7. New York: Routledge, 2019 - (McCleave, S.; O'Hanlon, T.), s. 117-141. ISBN 9780367353407
    Institucionální podpora: RVO:68378033
    Klíčová slova: nineteenth-century music * pan-European nineteenth-century music criticism * Robert Schumann * Thomas Moore * Dublin * Leipzig
    Obor OECD: Performing arts studies (Musicology, Theater science, Dramaturgy)
    https://doi.org/10.4324/9780367353407

    Robert Schumann’s secular oratorio Das Paradies und die Peri (Paradise and the Peri), which premiered on 4 December 1843 in the Leipzig Gewandhaus under Schumann’s own conductorship, was one of his most significant works. The words were adapted from Thomas Moore’s oriental tale “Paradise and Peri”, a story within Lalla Rookh (1817). This chapter is devoted to the reception history of Schumann’s Peri in Ireland and mainland Europe – with a particular focus on Dublin and Leipzig, between 1843 and 1854. Schumann’s Peri was a huge success in Germany and was soon performed in other European countries. John William Glover, the director of Dublin’s Royal Choral Institute (an institution founded to promote the musical experience of working-class Catholics) performed Schumann’s Peri on 10 February and 8 March 1854. The Dublin reception of the Peri was different to the response which it received in Leipzig, reflecting regional socio-political concerns. These seemingly different responses, however, can be understood as articulating nineteenth-century patriotism as a pan-European phenomenon.
    Trvalý link: http://hdl.handle.net/11104/0302200

     
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