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Non-invasive Morphological and Elemental Analysis of Ivory Plate for Artworks\nAuthentication Using ESEM and EDS

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    SYSNO ASEP0481041
    Document TypeJ - Journal Article
    R&D Document TypeJournal Article
    Subsidiary JOstatní články
    TitleNon-invasive Morphological and Elemental Analysis of Ivory Plate for Artworks
    Authentication Using ESEM and EDS
    Author(s) Tihlaříková, Eva (UPT-D) RID, ORCID, SAI
    Neděla, Vilém (UPT-D) RID, ORCID, SAI
    Hradilová, J. (CZ)
    Hradil, David (UACH-T) RID, SAI
    Number of authors4
    Source TitleMicroscopy and Microanalysis. - : Cambridge University Press - ISSN 1431-9276
    Roč. 23, S1 (2017), s. 1832-1833
    Number of pages2 s.
    Publication formPrint - P
    Languageeng - English
    CountryUS - United States
    KeywordsESEM ; EDS ; non-invasive morphological analysis ; non-invasive elemental analysis
    Subject RIVJA - Electronics ; Optoelectronics, Electrical Engineering
    OECD categoryMicrobiology
    Subject RIV - cooperationInstitute of Inorganic Chemistry - Inorganic Chemistry
    R&D ProjectsLO1212 GA MŠMT - Ministry of Education, Youth and Sports (MEYS)
    ED0017/01/01 GA MŠMT - Ministry of Education, Youth and Sports (MEYS)
    GA17-25687S GA ČR - Czech Science Foundation (CSF)
    Institutional supportUPT-D - RVO:68081731 ; UACH-T - RVO:61388980
    DOI10.1017/S1431927617009825
    AnnotationIn a market that is flooded with forgeries, the first step in determining the value is identification of the artwork authenticity. Also from the art history point of view professional expertise base on different techniques are necessary. In this work we introduce Environmental scanning electron microscopy (ESEM) with energy-dispersive X-ray spectroscope analysis (EDS) as non-invasive methods for micromorphological and elemental analysis of ivory samples used as supports for historical miniature painting. Miniature portraits are very subtle paintings, where any collection of micro-samples is generally unacceptable. Their popularity was mainly in the 19th century, but there are a number of copies and imitations, whose recognition is difficult. The true natural ivory was widely substituted by different bones or an artificial ivory, represented by various types of plastics.
    WorkplaceInstitute of Scientific Instruments
    ContactMartina Šillerová, sillerova@ISIBrno.Cz, Tel.: 541 514 178
    Year of Publishing2018
Number of the records: 1  

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