Search results
- 1.0584570 - ÚDU 2024 UA eng C - Conference Paper (international conference)
Naumova, Larysa
Ukrainian cultural identity through the prism of cinema. Problem statement.
Міжнародна науково-практична конференція „Філософія науки, техніки та архітектури в гуманістичному вимірі“. Київ: КНУБА, 2023 - (Chornomordenko, I.), s. 64-67
[Міжнародна науково-практична конференція „Філософія науки, техніки та архітектури в гуманістичному вимірі“ /4./. Київ (UA), 10.11.2023-11.11.2023]
Institutional support: RVO:68378033
Keywords : Ukrainian cinematography * Ukrainian cultural identity * Ukrainian national film * film production * cinematic heritage
OECD category: Arts, Art history
Permanent Link: https://hdl.handle.net/11104/0352470 - 2.0584568 - ÚDU 2024 ukr A - Abstract
Naumova, Larysa
Vznik původní ukrajinské kinematografie 20. let 20. století. Oleksandr Dovzhenko a rozdíl mezi jeho koncepcí a takzvanou školou „sovětské montáže“.
[Praha, 18.04.2023-18.04.2023]
Method of presentation: Přednáška
Event organizer: Slovanský ústav AV ČR
Institutional support: RVO:68378033
Keywords : Ukrainian cinema of the 1920s * film Earth (Oleksandr Dovzhenko) * directorial method * Soviet montage * Ukrainian national cinematography * montage construction * frame composition * VUFKU
OECD category: Arts, Art history
Permanent Link: https://hdl.handle.net/11104/0352471 - 3.0576295 - ÚSD 2024 RIV GB eng M - Monography Chapter
Gontarska, O. - Pehe, Veronika
Films Without a Viewer. Ukrainian Filmmakers and Memory of the Neoliberal Turn in the Post-Soviet Space.
Remembering the Neoliberal Turn. Economic Change and Collective Memory in Eastern Europe after 1989. London: Routledge, 2024 - (Pehe, V.; Wawrzyniak, J.), s. 247-263. European Remembrance and Solidarity. ISBN 978-1-032-55333-7
EU Projects: European Commission(XE) 749475 - ATFM
Institutional support: RVO:68378114
Keywords : cinematography * memory * Ukraine
OECD category: History (history of science and technology to be 6.3, history of specific sciences to be under the respective headings)
Permanent Link: https://hdl.handle.net/11104/0345866 - 4.0569374 - ÚDU 2024 eng A - Abstract
Naumova, Larysa
Ukrainian cinema vs Russian cinema in 1920s. Oleksandr Dovzhenko and the question of his belonging to the tradition the so-called „Soviet Montage“.
[Praha, 08.02.2023-08.02.2023]
Method of presentation: Přednáška
Event organizer: Ústav dějin umění AV ČR
URL events: https://www.udu.cas.cz/cz/akce/ukrainian-cinema-vs-russian-cinema-in-1920s
Institutional support: RVO:68378033
Keywords : Ukrainian cinema of the 1920s * directorial method * film Earth (Oleksandr Dovzhenko) * Ukrainian national cinematography * Soviet montage * montage construction * frame composition * VUFKU
OECD category: Arts, Art history
Permanent Link: https://hdl.handle.net/11104/0350934 - 5.0568444 - ÚSD 2023 RIV CZ cze K - Conference Paper (Czech conference)
Bednařík, Petr
Zachycení obsazeného pohraničí v české kultuře.
[Capturing of the Occupied Borderland in Czech Culture.]
Zaniklá sídla Moravy a Slezska se zaměřením k Jesenické oblasti. Praha: Ústav pro soudobé dějiny AV ČR, v. v. i., 2022 - (Vaishar, A.), s. 62-85. ISBN 978-80-7285-271-0.
[Identifikace a trvalá dokumentace kulturní, krajinné a sídelní paměti obce – na příkladu zaniklých sídel Moravy a Slezska. Brno (CZ), 16.09.2021-17.09.2021]
R&D Projects: GA MK(CZ) DG18P02OVV070
Keywords : Czech culture * Moravian and Silesian borderland * cinematography
OECD category: History (history of science and technology to be 6.3, history of specific sciences to be under the respective headings)
Permanent Link: https://hdl.handle.net/11104/0339760 - 6.0525252 - SLÚ 2021 RIV CZ cze B - Monography
Olšovský, Miroslav
Anarchie a evidence. Esej o psaní a vidění.
[Anarchy and Evidence. Essay on Writing and Seeing.]
Praha: Academia – Slovanský ústav AV ČR, 2020. 265 s. Práce Slovanského ústavu AV ČR, v. v. i., 46. ISBN 978-80-200-3039-9; ISBN 978-80-86420-64-6
Institutional support: RVO:68378017
Keywords : writing * seeing * evidence * cinematography * modern and postmodern literature * Russian literature * Nabokov, Vladimir * Gombrowicz, Witold
OECD category: Specific literatures
Permanent Link: http://hdl.handle.net/11104/0309438File Download Size Commentary Version Access anarchie13.pdf 2 2 MB Author´s preprint require - 7.0504345 - SLÚ 2020 CZ cze J - Journal Article
Olšovský, Miroslav
Montáž jako obraz světa. Revoluční poetiky Isaaka Babela a Borise Pilňaka.
[Montage as a world image. Revolutionary poetics of Isaac Babel and Boris Pilnyak.]
A2. Roč. 15, č. 4 (2019), s. 18-19. ISSN 1803-6635
Institutional support: RVO:68378017
Keywords : Babel, Isaac * Pilnyak, Boris * montage * cinematography * revolution * russian avantgarde
OECD category: Specific literatures
Method of publishing: Open access with time embargo
https://www.advojka.cz/archiv/2019/4/montaz-jako-obraz-sveta
Permanent Link: http://hdl.handle.net/11104/0296346 - 8.0493931 - ÚČL 2019 RIV SK cze C - Conference Paper (international conference)
Lukáš, Martin
Vančurovo pojetí filmové tvorby.
[Vladislav Vančura’s Views on Cinematography.]
Česká literatúra a film V.. Nitra: Univerzita Konštantina Filozofa v Nitre, 2018 - (Timko, Š.), s. 76-86. ISBN 978-80-558-1303-5.
[Česká literatúra a film V. Nitra (SK), 17.10.2017-17.10.2017]
Institutional support: RVO:68378068
Keywords : Vančura, Vladislav * Před maturitou * interwar Czechoslovakian cinematography * experimental cinematic techniques
OECD category: Specific literatures
Permanent Link: http://hdl.handle.net/11104/0287195 - 9.0493644 - SLÚ 2019 CZ cze D - Thesis
Olšovský, Miroslav
Anarchie a evidence. Esej o psaní a vidění.
[Anarchy and Evidence. Essay on Writing and Seeing.]
Ústav filosofie a religionistiky, Filozofická fakulta UK. Defended: Filozofický ústav AV ČR. 26.3.2018. - Praha, 2017. 250 s.
Institutional support: RVO:68378017
Keywords : writing * seeing * evidence * cinematography * modern and postmodern literature * Russian literature * Nabokov, Vladimir * Gombrowicz, Witold
OECD category: General literature studies
Permanent Link: http://hdl.handle.net/11104/0287568 - 10.0487978 - ÚČL 2018 CZ cze R - Book Review
Merenus, Aleš
Horké párky.
[SKUPA, L.: Vadí nevadí; Česká filmová cenzura v 60. letech]. Tvar. Roč. 28, č. 12 (2017), s. 24. ISSN 0862-657X
Institutional support: RVO:68378068
Keywords : cinematography * film production * political power
OECD category: Specific literatures
Permanent Link: http://hdl.handle.net/11104/0282684