Number of the records: 1  

Temperature-related degradation and colour changes of historic paintings containing vivianite

  1. 1.
    SYSNO ASEP0442179
    Document TypeJ - Journal Article
    R&D Document TypeJournal Article
    Subsidiary JČlánek ve WOS
    TitleTemperature-related degradation and colour changes of historic paintings containing vivianite
    Author(s) Čermáková, Zdeňka (UACH-T) SAI
    Švarcová, Silvie (UACH-T) SAI, RID, ORCID
    Hradilová, J. (CZ)
    Bezdička, Petr (UACH-T) SAI, RID, ORCID
    Lančok, Adriana (UACH-T) ORCID, RID, SAI
    Vašutová, V. (CZ)
    Blažek, Jan (UTIA-B) RID, ORCID
    Hradil, David (UACH-T) RID, SAI
    Source TitleSpectrochimica Acta Part A-Molecular and Biomolecular Spectroscopy. - : Elsevier - ISSN 1386-1425
    Roč. 140, APR (2015), s. 101-110
    Number of pages10 s.
    Languageeng - English
    CountryNL - Netherlands
    KeywordsDegradation ; High-temperature X-ray diffraction ; Model experiments ; Mossbauer spectroscopy ; Vivianite
    Subject RIVCA - Inorganic Chemistry
    OECD categoryInorganic and nuclear chemistry
    R&D ProjectsGAP103/12/2211 GA ČR - Czech Science Foundation (CSF)
    Institutional supportUACH-T - RVO:61388980 ; UTIA-B - RVO:67985556
    UT WOS000350939200012
    EID SCOPUS84937107577
    DOI10.1016/j.saa.2014.12.082
    AnnotationTemperature-related degradation of pure synthetic as well as partly oxidised natural vivianite has been studied by high-temperature X-ray diffraction (HT-XRD) covering the whole extent of the temperature-related stability of its structure. While temperatures around 70°C are already damaging to vivianite, exposition to 160°C results in complete amorphisation of both the vivianite and its oxidation products. As indicated by Mossbauer spectroscopy, temperature-induced oxidation of vivianite starts at 90°C. To study the occurring structural as well as accompanying colour changes in more detail, model vivianite paint layer samples with different historic binders were prepared and subjected to increased temperatures. Exposition to 80°C caused pronounced colour changes of all the samples: ground natural blue vivianite became grey - a colour change which has been described in actual works of art. Regarding the binders, the oil seemed to facilitate the transfer of heat to vivianite's grains. To simulate conditions of conservation treatment under which the painting is exposed to increased temperatures, oil-on-canvas mock-ups with vivianite were prepared and relined in a traditional way using iron. The treatment affected preferentially larger grains of vivianite; the micro-samples documented their change to grey, and their Raman spectra showed the change from vivianite to metavivianite.
    WorkplaceInstitute of Inorganic Chemistry
    ContactJana Kroneislová, krone@iic.cas.cz, Tel.: 311 236 931
    Year of Publishing2016
Number of the records: 1  

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