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Investigation of Madonna in the travel altar of Robert of Anjou from the collection of moravian gallery in Brno

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    SYSNO ASEP0441418
    Document TypeC - Proceedings Paper (int. conf.)
    R&D Document TypeConference Paper
    TitleInvestigation of Madonna in the travel altar of Robert of Anjou from the collection of moravian gallery in Brno
    Author(s) Fogaš, I. (CZ)
    Wörgötter, Z. (CZ)
    Hradilová, J. (CZ)
    Hradil, David (UACH-T) RID, SAI
    Zikmund, T. (CZ)
    Kaiser, J. (CZ)
    Source TitleACTA ARTIS ACADEMICA 2014: Interpretation of fine art’s analyses in diverse contexts. - Praha : Akademie výtvarných umění v Praze, 2014 - ISBN 978-80-87108-48-2
    Pagess. 203-227
    Number of pages25 s.
    Publication formPrint - P
    ActionInterdisciplinary conference of ALMA /5./
    Event date20.11.2014-21.11.2014
    VEvent locationPraha
    CountryCZ - Czech Republic
    Event typeEUR
    Languageeng - English
    CountryCZ - Czech Republic
    KeywordsBlack Madonna ; travel altar, ; alabaster ; Gothic art ; Florence ; Liechtenstein
    Subject RIVAL - Art, Architecture, Cultural Heritage
    Institutional supportUACH-T - RVO:61388980
    UT WOS000351115100013
    AnnotationAn exceptional Gothic work of art, a travel altar of Robert of Anjou, is one of those donated by John II of Liechtenstein to the Franz Museum in Brno in 1896. Light has been newly shed on the circumstances of Prince's acquisition of the altar; it refuted the thoughts about the altar's Central European provenance, because as it is being documented, the purchase took place directly in Florence in 1890. It has been recorded already back then that the Tabernacle is complemented by a (damaged) statuette of Black Madonna made of Carrara marble. The description of its damage, secondary additions and polychromy construction was the main aim of the artwork's survey by non-invasive methods (mobile XRF, computed tomography); on the basis of their results, a careful micro-sampling has been performed followed by material analysis. Most importantly, it was found out that the material of the statue is not Carrara marble, but an alabaster, which is not in disagreement with the assumed provenance (northern Italy), but due to its weight and fragility, the statuette could only hardly be an original part of the altar. Concurrently, the analysis of the oldest layers of polychromy proved that the Madonna has not been originally black and that this adjustment has been executed secondarily and intentionally.
    WorkplaceInstitute of Inorganic Chemistry
    ContactJana Kroneislová,, Tel.: 311 236 931
    Year of Publishing2016
Number of the records: 1