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Perspektivy vidění. Kategorie evidence v Daru Vladimira Nabokova
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SYSNO ASEP 0349561 Document Type J - Journal Article R&D Document Type Journal Article Subsidiary J Ostatní články Title Perspektivy vidění. Kategorie evidence v Daru Vladimira Nabokova Title Seeing Perspectives. Category of evidence in The Gift by Vladimir Nabokov Author(s) Olšovský, Miroslav (SLU-S) SAI, ORCID Number of authors 1 Source Title Svět literatury. - : Univerzita Karlova v Praze - ISSN 0862-8440
Roč. 2010, č. 42 (2010), s. 86-98Number of pages 13 s. Language cze - Czech Country CZ - Czech Republic Keywords Nabokov, Vladimir ; evidence Subject RIV AJ - Letters, Mass-media, Audiovision CEZ AV0Z90920516 - SLU-S (2005-2011) Annotation Autor interpretuje román Dar Vladimira Nabokova v kontextu Puškinova a Badelairova psaní. Hlavním motivem tohoto románu je motiv krystalu, metafora díla, jenž činí svět transparentním a viditelným. Transparence a evidence jsou základními vlastnostmi díla jako krystalu. Description in English In his article author interprets The Gift, novel written by Vladimir Nabokov, on the background of Pushkin and Baudelaire’s writing. He pays attention to motive of crystal as a metaphor of work. Transparence of work as a crystal makes a world visible. Transparence and evidence are basic attributes of work as a crystal. They are related to stereoscopy that creates three-dimensional image of the world. Stereoscopy is also point of view in Merleau-Ponty’s interpretation of perception (The Visible and the Invisible) and Ricouer’s interpretation of narrative (Time and narrative) in the Proust’s masterpiece In Search of Lost Time. Crystal as a metaphor of work captures and freezes the image of existence that has dissapeared. Present evidence and past existence make basic structure of work as a crystal. Workplace Institute of Slavonic Studies Contact Dana Pilátová, pilatova@slu.cas.cz, Tel.: 224 800 262 Year of Publishing 2011
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