Příroda, umění, svoboda. (Ke kantovsko-schillerovskému pojetí estetiky přírody)
Title
Nature, Art, Freedom (Towards the conception of natural beauty of Kant and Schiller and its ethical and aesthetical meaning)
Author(s)
Zátka, Vlastimil (FLU-F)
Source Title
Krása - Krajina - Příroda I. - Praha : Dokořán, 2009 / Stibral K. ; Dadejík O.
- ISBN 978-80-7363-286-1
Pages
s. 184-202
Number of pages
19 s.
Number of copy
201
Number of pages
280
Language
cze - Czech
Country
CZ - Czech Republic
Keywords
Kant 's and Schiller's aesthetics of Nature ; theory of Beauty and Sublime ; affinity of Nature, Art and Freedom
Subject RIV
AA - Philosophy ; Religion
CEZ
AV0Z90090514 - FLU-F (2005-2011)
Annotation
Studie analyzuje vztah umění, přírody a svobody v kantovsko-schillerovské estetice. Dané téma zkoumá ve čtyřech základních tématických okruzích: 1. Východisko Kantovy estetiky přírody , 2. Analytika krásna, 3. Analytika vznešenosti, 4. Schillerova eticko estetická koncepce umění a přírody.
Description in English
The study deals with the analysis of the Kant's aesthetics of nature in the Critique of Judgment . It proves that Kant´s aesthetics revealed another possible attitude towards nature that was quite different from its scientific explanation. Kant reflected nature from the point of disinterested delight that is presented in two fundamental aesthetic categories - beauty and sublime. If beauty enables the reflection of the hidden technique oh nature and its formal purposiveness without purpose (i.e. subjective form al finality) then the sublime opens the way to the transcendental world of super sensible rational ideas and thus to the highest attribute of modern man - freedom. In the study there is also stressed that the topical significance of Kant's aesthetics is in its non-metaphysical, i.e. postmodern account of nature without claiming the necessity to abandon its scientific explanation.
