- Pigments-copper-based greens and blues
Number of the records: 1  

Pigments-copper-based greens and blues

  1. 1.
    SYSNO ASEP0547661
    Document TypeJ - Journal Article
    R&D Document TypeJournal Article
    Subsidiary JČlánek ve WOS
    TitlePigments-copper-based greens and blues
    Author(s) Švarcová, Silvie (UACH-T) SAI, RID, ORCID
    Hradil, David (UACH-T) RID, SAI, ORCID
    Hradilová, J. (CZ)
    Čermáková, Zdeňka (UACH-T) SAI, ORCID
    Number of authors4
    Article number190
    Source TitleArchaeological and Anthropological Sciences. - : Springer - ISSN 1866-9557
    Roč. 13, č. 11 (2021)
    Number of pages29 s.
    Languageeng - English
    CountryDE - Germany
    KeywordsCopper pigments ; Wall paintings ; Origin ; Degradation ; Analysis
    Subject RIVCB - Analytical Chemistry, Separation
    OECD categoryAnalytical chemistry
    Method of publishingLimited access
    Institutional supportUACH-T - RVO:61388980
    UT WOS000707003700011
    EID SCOPUS85112622789
    DOI https://doi.org/10.1007/s12520-021-01406-0
    AnnotationSince antiquity, various copper-containing substances have been used as green and blue pigments. Their exceptional diversity, reflecting their various chemical and phase composition, chemical stability as well as their origin, makes their correct identification challenging. The review focuses on copper-based pigments used in ancient and mediaeval works of art, especially in wall paintings and/or related polychromed decorations or statues-siliceous copper pigments (Egyptian blue and green, Han blue and purple, chrysocolla), copper carbonates (azurite, malachite, blue and green verditers), copper chlorides (atacamite-group, cumengeite, calumetite), copper sulphates (posnjakite, brochantite) and-to a lesser extent-copper acetates (verdigris) and other organometallics. Particular attention is given to the necessity of the detailed study of accompanying phases which can serve as useful indicators of natural and/or artificial origin of copper pigments. Factors affecting the stability of copper pigments in wall paintings-salt attack, oxalic acid, alkalinity and heat-are overviewed. A suitable analytical approach based on complemental combination of in situ and laboratory analyses for proper identification and differentiation of copper pigments is proposed.
    WorkplaceInstitute of Inorganic Chemistry
    ContactJana Kroneislová, krone@iic.cas.cz, Tel.: 311 236 931
    Year of Publishing2022
    Electronic addresshttps://doi.org/10.1007/s12520-021-01406-0
Number of the records: 1  

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