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Czech Sculpture in the Late 19th and Early 20th Centuries and Its Attitude Towards Vienna
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SYSNO ASEP 0554852 Document Type J - Journal Article R&D Document Type The record was not marked in the RIV Subsidiary J Článek ve SCOPUS Title Czech Sculpture in the Late 19th and Early 20th Centuries and Its Attitude Towards Vienna Author(s) Krummholz, Martin (UDU-I) RID, ORCID Article number 0265 Source Title RIHA Journal. - : International Association of Research Institutes in the History of Art - ISSN 2190-3328
-, July (2021)Number of pages 16 s. Publication form Online - E Language eng - English Country DE - Germany Keywords sculpture ; nationalism ; monuments ; Prague ; Vienna Subject RIV AL - Art, Architecture, Cultural Heritage OECD category Arts, Art history R&D Projects DG16P02B052 GA MK - Ministry of Culture (MK) Method of publishing Open access EID SCOPUS 85126739928 DOI 10.11588/riha.2021.1.81896 Annotation During the course of the 19th century, Czech society underwent an intensive process of national revival and emancipation from Vienna. For a long time, under the influence of Czech nationalists, surveys of developments in the arts field did not include German-speaking artists from the Czech lands, such as the brothers Max and Franz Metzner or Hugo Lederer. In 1902, the exhibition in Prague of the works of Auguste Rodin disrupted the monopoly enjoyed by Josef Václav Myslbek. Prague´s two biggest national monuments (Jan Hus by Ladislav Šaloun and František Palacký by Stanislav Sucharda) confirm the fascination with Rodinesque pathos at that time. Workplace Institute of Art History Contact Veronika Jungmannová, jungmannova@udu.cas.cz, Tel.: 221 183 506 ; Markéta Kratochvílová, kratochvilova@udu.cas.cz, Tel.: 220 303 939 Year of Publishing 2023 Electronic address https://journals.ub.uni-heidelberg.de/index.php/rihajournal/article/view/81896
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