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Oleksandr Dovzhenko, Ivan Kavaleridze, Leonid Skrypnyk. The avant-garde and philosophical explorations of Ukrainian filmmakers of the 1920s
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SYSNO ASEP 0582976 Document Type J - Journal Article R&D Document Type Journal Article Subsidiary J Článek ve SCOPUS Title Oleksandr Dovzhenko, Ivan Kavaleridze, Leonid Skrypnyk. The avant-garde and philosophical explorations of Ukrainian filmmakers of the 1920s Author(s) Naumova, Larysa (UDU-I) ORCID Number of authors 1 Source Title Images. The International Journal of European Film, Performing Arts and Audiovisual Communication - ISSN 1731-450X
Roč. 34, č. 43 (2023), s. 195-208Number of pages 14 s. Publication form Print - P Language eng - English Country PL - Poland Keywords Ukrainian film ; Oleksandr Dovzhenko ; Ivan Kavaleridze ; Leonid Skrypnyk ; film Zvenyhora ; film Arsenal ; film Earth ; film Downpour ; film Perekop ; rhythm ; frame composition ; static frame ; lighting Subject RIV AL - Art, Architecture, Cultural Heritage OECD category Studies on Film, Radio and Television Method of publishing Open access Institutional support UDU-I - RVO:68378033 EID SCOPUS 85174860401 DOI 10.14746/i.2023.34.43.12 Annotation The filmmakers Oleksandr Dovzhenko and Ivan Kavaleridze created bold avant-garde works at the time when Ukrainian cinema was being established, at the end of the 1920s and early 1930s. In effect, the works of these two directors shaped the defining features of Ukrainian cinema. This article discusses the creative methods used by Dovzhenko in his three films Zvenyhora (1927), Arsenal (1929) and Earth (1930), which clearly depict Ukrainian worldviews and mentality. Kavaleridze’s approach is considered in the light of two of his films, Downpour (1929) and Perekop (1930). Already a recognized sculptor at the time, Kavaleridze sought unique forms of expression in film. The approaches these directors took towards framing scenes, montage, lighting and rhythm underpinned the theoretical propositions of their contemporary, Ukrainian film theorist Leonid Skrypnyk. The author suggests that this testifies to a deliberate and comprehensive search for new means of expression in all phases of filmmaking. Workplace Institute of Art History Contact Veronika Jungmannová, jungmannova@udu.cas.cz, Tel.: 221 183 506 ; Markéta Kratochvílová, kratochvilova@udu.cas.cz, Tel.: 220 303 939 Year of Publishing 2024 Electronic address https://pressto.amu.edu.pl/index.php/i/article/view/39838/33629
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