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“Quid Pro Quo”: The Czech Folklore Revival Movement in the Light of Totalitarian Cultural Policy

  1. 1.
    0577919 - EÚ 2024 RIV CZ eng J - Journal Article
    Uhlíková, Lucie - Pavlicová, M.
    “Quid Pro Quo”: The Czech Folklore Revival Movement in the Light of Totalitarian Cultural Policy.
    Český lid = Czech Ethnological Journal. Roč. 110, č. 2 (2023), s. 183-210. ISSN 0009-0794. E-ISSN 2570-9216
    Institutional support: RVO:68378076
    Keywords : Folklore revival movement * folklor ensembles * totalitarianism * communist cultural policy * leisure, Czech Republic
    OECD category: Antropology, ethnology
    Method of publishing: Open access
    Result website:
    https://toolkit.ecn.cz/img_upload/aefc7cb64ddcad05a6beaedd2bcfcafc/2023_2_183-210.pdf
    DOI: https://doi.org/10.21104/CL.2023.2.03

    The paper deals with the transformation of society and culture in totalitarianism through the example of the Czech folklore revival movement between 1948 and 1989. While describing the main objectives of communist cultural policy, the paper observes the reasons for the mass development of folk ensembles in the 1950s, the gradual transformations to their activity, and the philosophy behind it. The degree of cooperation between folk ensembles and political power, as well as the exploitation of these troupes to promote the communist regime, was varied. Politically-engagé performances by such ensembles and their participation in events organized by the totalitarian state apparatus have resulted in many Czech people adopting a negative attitude towards the folklore revival movement as a whole. In the fact most members of these ensembles were not motivated by politics – for many of them, this leisure activity was an escape from reality to the romantically viewed world of folk tradition.

    Permanent Link: https://hdl.handle.net/11104/0347269

     
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