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The Pictor Doctus, between Knowledge and Workshop. Artists, Collections and Friendship in Europe, 1500–1900

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    0563521 - ÚDU 2023 RIV BE eng M - Monography Chapter
    Valeš, Tomáš
    Between Guild and Academy. Collections of Central European Painters as a Source of Artistic Progress or a Steady Livelihood?
    The Pictor Doctus, between Knowledge and Workshop. Artists, Collections and Friendship in Europe, 1500–1900. Turnhout: Brepols, 2021 - (Diéguez-Rodríguez, A.; Rodríguez Rebollo, Á.), s. 159-180. ISBN 978-2-503-58908-4
    Institutional support: RVO:68378033
    Keywords : collection * workshop * print * practice * baroque * Vienna * Moravia * Maulbertsch
    OECD category: Arts, Art history

    The paper discusses the role of the art (workshop) collections in the artistic practice of central European artists in the 18th century. Particular case studies are the artistic practice of artists Franz Xaver Wagenschön, Franz Anton Maulbertsch and Josef Winterhalder Jr. In that matter, special attention is given to the creative modification of individual visual sources into new artworks as an example of artistic ambitions and competitiveness.
    Permanent Link: https://hdl.handle.net/11104/0335461

     
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    STAH_Pictor_Doctus_Valeš.pdf020.7 MBPublisher’s postprintrequire
     
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