0555350 - ÚDU 2022 RIV GB eng J - Journal Article
Murár, Tomáš
Max Dvořák’s Michelangelo.
Journal of Art Historiography. Roč. 13, č. 25 (2021), s. 1-17. E-ISSN 2042-4752.
[The Influence of the Vienna School of Art History II. The 100th Anniversary of Max Dvořák’s Death. online, 15.04.2021-16.04.2021]
Institutional support: RVO:68378033
Keywords : mannerism * modernism * Max Dvořák * Georg Simmel * Michelangelo
OECD category: Arts, Art history
Method of publishing: Open access
Result website:
https://arthistoriography.files.wordpress.com/2021/11/murar.pdf
DOI: https://doi.org/10.48352/uobxjah.00003469

The historiography of Dvořák’s conception of Mannerism has been neglected in explaining how Dvořák formulated Mannerism: what in Dvořák’s conception of art generated the need to describe the art of the late 16th century as a separate artistic style distinct from the Renaissance? As the study shows, the answer to this question may be found in Max Dvořák’s interpretation of the late art of Michelangelo Buonarroti.

Permanent Link: http://hdl.handle.net/11104/0329858