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Czech Sculpture in the Late 19th and Early 20th Centuries and Its Attitude Towards Vienna
- 1.0554852 - ÚDU 2023 DE eng J - Journal Article
Krummholz, Martin
Czech Sculpture in the Late 19th and Early 20th Centuries and Its Attitude Towards Vienna.
RIHA Journal. -, July (2021), č. článku 0265. ISSN 2190-3328
R&D Projects: GA MK DG16P02B052
Keywords : sculpture * nationalism * monuments * Prague * Vienna
OECD category: Arts, Art history
Method of publishing: Open access
https://journals.ub.uni-heidelberg.de/index.php/rihajournal/article/view/81896
During the course of the 19th century, Czech society underwent an intensive process of national revival and emancipation from Vienna. For a long time, under the influence of Czech nationalists, surveys of developments in the arts field did not include German-speaking artists from the Czech lands, such as the brothers Max and Franz Metzner or Hugo Lederer. In 1902, the exhibition in Prague of the works of Auguste Rodin disrupted the monopoly enjoyed by Josef Václav Myslbek. Prague´s two biggest national monuments (Jan Hus by Ladislav Šaloun and František Palacký by Stanislav Sucharda) confirm the fascination with Rodinesque pathos at that time.
Permanent Link: http://hdl.handle.net/11104/0329478
Number of the records: 1