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Central Europe as a Meeting Point of Visual Cultures. Circulation of Persons, Artifacts, and Ideas. In honour of Jiří Kroupa
- 1.0553679 - ÚDU 2022 RIV CZ eng M - Monography Chapter
Foletti, I. - Klípa, Jan
The frescoes of the 12th-century rotunda at Znojmo. Between historiography and transcultural perspectives.
Central Europe as a Meeting Point of Visual Cultures. Circulation of Persons, Artifacts, and Ideas. In honour of Jiří Kroupa. RomeBrno: Viella, 2021 - (Foletti, I.; Jakubec, O.; Nokkala Miltová, R.), s. 17-52. I libri di Viella. Arte. ISBN 978-88-3313-845-9
Institutional support: RVO:68378033
Keywords : history of art history * nationalist tensions * transcultural space * experiencing medieval art * model books * Rotunda of Znojmo * Kostoľany pod Tribečom * Castelseprio
OECD category: Arts, Art history
The Znojmo rotunda is one of the most important monuments of the Middle Ages in Central Europe. Investigated extensively in the last two centuries, the rotunda has been the object of increasing attention, especially given the dynastic cycle it represents. A glance at its historiography, however, shows how this attention was mainly the result of German and Czechoslovak nationalist tensions and ambitions. What seems to have remained in the shadows is, however, the transcultural dimension of this sacred space, especially concerning the cycle of Christ’s childhood. Moreover, its multisensory, social, and practical dimensions must be examined together with its possible liturgical furnishing to get a new and complex idea of this unique monument in the Central European panorama.
Permanent Link: http://hdl.handle.net/11104/0328424
Number of the records: 1