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Beyond Ideology: Representations of the Baroque in Socialist Czechoslovakia As Seen Through the Media

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    SYSNO ASEP0467392
    Druh ASEPJ - Článek v odborném periodiku
    Zařazení RIVJ - Článek v odborném periodiku
    Poddruh JOstatní články
    NázevBeyond Ideology: Representations of the Baroque in Socialist Czechoslovakia As Seen Through the Media
    Tvůrce(i) Řezníková, Lenka (FLU-F) RID, ORCID
    Zdroj.dok.Journal of Art Historiography
    Roč. 8, 15 December (2016), s. 1-23
    Poč.str.23 s.
    Forma vydáníOnline - E
    Jazyk dok.eng - angličtina
    Země vyd.GB - Velká Británie
    Klíč. slovarepresentations of the Baroque ; Czech art history 1948-1989 ; media ; documentary ; exhibition
    Vědní obor RIVAB - Dějiny
    CEPGB14-37038G GA ČR - Grantová agentura ČR
    Institucionální podporaFLU-F - RVO:67985955
    AnotaceThis paper focusses on representations of the Baroque in Czechoslovakia under state socialism. In this period, policies and politics had a huge impact on the ideological discourses that determined how the Baroque was to be officially interpreted. However, the communist regime and its ideology were not the only determinants of how the Baroque was evaluated. In fact, mechanisms of cultural remembrance, divergent strategies of different mass media, adopting their representations of the Baroque to their respective algorithms, mutual influences from within Czechoslovakia and from abroad as well as the urge to propagate, on an international scale, the touristic qualities of Czechoslovakia and her cultural heritage all had their share in shaping diverging representations of the Baroque. Hence the study analyses mnemonic, functional and medial aspects of how the Baroque was perceived in the public sphere and shows how they accorded, respectively clashed with government ideologies and politics.
    PracovištěFilosofický ústav
    KontaktKaňková Božena, kankova@flu.cas.cz, Tel: 221 183 360
    Rok sběru2017
Počet záznamů: 1