Počet záznamů: 1
Clay Minerals in European Painting of the Mediaeval and Baroque Periods
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SYSNO ASEP 0524430 Druh ASEP J - Článek v odborném periodiku Zařazení RIV J - Článek v odborném periodiku Poddruh J Článek ve WOS Název Clay Minerals in European Painting of the Mediaeval and Baroque Periods Tvůrce(i) Hradil, David (UACH-T) RID, SAI
Hradilová, J. (CZ)
Bezdička, Petr (UACH-T) SAI, RID, ORCIDCelkový počet autorů 3 Číslo článku 255 Zdroj.dok. Minerals. - : MDPI
Roč. 10, č. 3 (2020)Poč.str. 21 s. Jazyk dok. eng - angličtina Země vyd. CH - Švýcarsko Klíč. slova earth pigments ; ochres ; clay-based grounds ; powder X-ray microdiffraction ; provenance studies ; pottery clay ; kaolin ; painting ; gilding Vědní obor RIV DB - Geologie a mineralogie Obor OECD Mineralogy CEP GA17-25687S GA ČR - Grantová agentura ČR Způsob publikování Open access Institucionální podpora UACH-T - RVO:61388980 UT WOS 000529217000052 EID SCOPUS 85081560927 DOI 10.3390/min10030255 Anotace Clay-based pigments are among the most traditional. Unlike other mineral pigments, they have never been fully replaced by synthetic analogues and are still used in painting today. Since their analysis requires a specific approach, detailed distinction of clay pigments has never been a part of routine chemical-technological research in fine arts-regardless of a great potential of clay minerals for determining regional provenance of the material. This review article maps and summarizes research on clay pigments in historical paintings that has been systematically pursued by authors since the beginning of this millennium. This rallying and interconnection of knowledge was an opportunity for a new reflection on the common aspects of these research projects, either methodological or interdisciplinary, since these findings are closely related to art-historical evaluation of artworks. It offers a comprehensive insight into the microanalysis of clay pigments with using powder X-ray micro-diffraction and complementary methods. Significant new findings come, for example, from research on the Italian Baroque. It becomes clear that cheap availability of raw material, pottery clays, could have played an important role in the change in painting technology at the turn of the 16th and 17th centuries. Pracoviště Ústav anorganické chemie Kontakt Jana Kroneislová, krone@iic.cas.cz, Tel.: 311 236 931 Rok sběru 2021 Elektronická adresa http://hdl.handle.net/11104/0308790
Počet záznamů: 1