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Understanding Anti-performance: The performative division of experience and the standpoint of the non-performer
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SYSNO ASEP 0524352 Druh ASEP J - Článek v odborném periodiku Zařazení RIV J - Článek v odborném periodiku Poddruh J Ostatní články Název Understanding Anti-performance: The performative division of experience and the standpoint of the non-performer Tvůrce(i) Feinberg, Joseph Grim (FLU-F) RID, ORCID, SAI Zdroj.dok. Performance Philosophy. - : Performance Philosophy - ISSN 2057-7176
Roč. 5, č. 2 (2020), s. 332-348Poč.str. 17 s. Forma vydání Online - E Jazyk dok. eng - angličtina Země vyd. GB - Velká Británie Klíč. slova ontology ; anti-theatricality ; spectacle ; Augusto Boal ; Rousseau Vědní obor RIV AA - Filosofie a náboženství Obor OECD Philosophy, History and Philosophy of science and technology CEP GA17-23955S GA ČR - Grantová agentura ČR Způsob publikování Open access Institucionální podpora FLU-F - RVO:67985955 DOI 10.21476/PP.2020.52279 Anotace Performance theorists have long been drawn to the potential of performance to subvert established institutions. The results of performance are never fully determined in advance, performances subject established images to reinterpretation, they take place before an audience that can criticize and intervene. But performative principles also play a role in maintaining established institutions and ways of being. Performance demands that participants take on roles and perform them more or less effectively. Performance also establishes a separation between the relatively active people who have the authority to perform publicly important roles and relatively passive audiences who observe those institutionalized performances. In this paper I argue for a balanced view of the subversive potential of performance, taking seriously the tradition of anti-theatricality, in order to determine the role of performance both in undermining and in upholding established institutions, and I call attention to the potentially subversive (but often contradictory) role of what I call anti-performance, the attempt (which is just as contradictory as performance itself) to move beyond the performativity that is imposed by established institutions, in order to achieve new forms of being that are experienced not only as “played” but as “real.” Pracoviště Filosofický ústav Kontakt Chlumská Simona, chlumska@flu.cas.cz ; Tichá Zuzana, asep@flu.cas.cz Tel: 221 183 360 Rok sběru 2021 Elektronická adresa https://doi.org/10.21476/PP.2020.52279
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