Meždu gumanizmom i barokko. Ja. A. Komenskij kak kanoničeskij avtor v diskussijach češskich istorikov literatury 30-70godov 20 veka

0482904 - FLÚ 2018 RIV RU rus C - Konferenční příspěvek (zahraniční konf.)
Urbánek, Vladimír
Meždu gumanizmom i barokko. Ja. A. Komenskij kak kanoničeskij avtor v diskussijach češskich istorikov literatury 30-70godov 20 veka.
[Between Humanism and Baroque. Jan Amos Comenius as a Canonical Author in the Discussions of Czech Literary Historians, 1930s–1970s.]
Nasledie Jana Amosa Komenskogo vzgljad iz 21 veka. Materialy meždunarodnogo naučno-praktičeskogo foruma. St. Petersburg: Peterschule, 2017, s. 23-33. ISBN 978-5-85902-151-2.
[Nasledie Jana Amosa Komenskogo vzgljad iz 21 veka. St. Petersburg (RU), 07.06.2017-08.06.2017]
Grant CEP: GA ČR GB14-37038G
Institucionální podpora: RVO:67985955
Klíčová slova: Literary canon * Czech literary history * Baroque * Humanism * Comenius studies * J. A. Comenius
Obor OECD: History (history of science and technology to be 6.3, history of specific sciences to be under the respective headings)

Stat'ja posvjaščena voprosu, kakim obrazom Komenskij kak kanoničeskaja figura stanovitsja sostavnoj čast'ju kanona istorii češskoj literatury. Tak kak razvivalos' i menjalos' issledovanie žanrov, stilej i social'no-kul'turnogo konteksta literaturnogo tvorčestva, kanoničnost' Komenskogo ne stavilas' pod somnenie, no menjalsja sam kanon ključevych proizvedenij i avtorov, v ramki kotorych Komenskij vchodil. Varianty literaturnogo kanona funkcionirovali v ramkach kul'turnoj pamjati po-raznomu, sozdavali različnye značenija i vchodili v neschodnye istoričeskie narrativy. Odnim iz samych rezkich sporov javljaetsja polemika o prinadležnosti Komenskogo libo k kul'ture gumanizma, libo k kul'ture barokko. V stat'e analizirujutsja raboty vydajuščichsja češskich istorikov literatury, literaturovedov i kritikov F. K. Šaldy, A. Novaka, Ja. B. Čapeka, A. Škarki i V. Černogo, kotorye zanimalis' voprosom o prinadležnosti Komenskogo k stilju barokko. V to že vremja každyj iz etich učjonych predprinjal svoeobraznuju popytku vključit' Komenskogo v kanon češskoj i evropejskoj literatury.

The main aim of the article is to analyse how Comenius became part of the canon of Czech literature. Despite the changes and differing trends in research of literary genres, styles, social and cultural context of literary production, there were no doubts about Comenius's canonicity but the canon of key literary works and authors to which Comenius belonged has been changing. Variations of literary canon functioned in the context of cultural memory in different ways, established different meanings and became parts of different conflicting historical narratives. One of the most escalated debates in Czech context was a polemic about the question of whether Comenius belonged to the culture of Humanism or of the Baroque. The article discusses works of the outstanding Czech literary historians, theorists and critics F. X. Šalda, Arne Novák, Jan Blahoslav Čapek, Antonín Škarka and Václav Černý who all debated classification of Comenius as a Baroque author and at the same time each of them presented a distinctive attempt to include Comenius to the canon of Czech or European literature.
Trvalý link: http://hdl.handle.net/11104/0278833