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Nikolaj Okuněv i samaja bol'šaja vystavka russkogo iskusstva v Čechoslovakiji

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    0507161 - SLÚ 2020 RIV RU rus J - Článek v odborném periodiku
    Jančárková, Julie
    Nikolaj Okuněv i samaja bol'šaja vystavka russkogo iskusstva v Čechoslovakiji.
    [Nikolaj Okunev and the biggest exhibition of Russian Fine Art in Czechoslovakia.]
    Slavjanskij al'manach. -, 1-2 (2019), s. 271-281. ISSN 2073-5731
    Institucionální podpora: RVO:68378017
    Klíčová slova: Okunev, Nikolai Lvovich * Exhibition of Russian Art * Institute of Slavonic Studies * legal recognition of the USSR * Palace of Klam Gallas * Collection of the Institute of Slavonic Studies
    Obor OECD: Specific literatures
    Způsob publikování: Pouze metadata

    Podgotovka vystavki russkogo iskusstva, organizatorom kotoroj javljalsja Slavjanskij institut v Prage i N. L. Okuněv načalas ješčo do juridičeskogo priznanija SSSR Čechoslovakijej. Vybrannyje proizvedenija iskusstva proischodili iz častnych sobranij Jevropy i ot chudožnikov, živuščich v emigracii. Ustanovka diplomatičeskich otnošenij meždu ČSR i SSSR letom 1934 povlekla za soboj novyje pravila so storony češskich učreždenij po otnošeniju k russkoj emigracii i vyzvala konflikt v rabočej komissii po organizacii vystavki. Neblagoprijatnym fonom dlja meroprijatija stalo ustrojstvo češskim Mánesom vystavki russkogo i sovetskogo iskusstva iz sovetskich sobranij, v itoge ne sostojavšejsja. Istoriki iskusstva F. Kovarna, J. Květ i V. Volavka vyšli iz komissii, poskolku ne chotjeli ustraivat vystavku rabot N. Gončarovoj, M. Larionova, M. Dobužinskogo, A. a N. Benua, Z. Serebrjakovoj, B. Grigorjeva, F. Maljavina i mn. dr. i bez učastija poloten iz muzejev SSSR. Vystavka, nesmotrja na etot protest i svjazannyje s nim organizacionnyje složnosti, vse že otkrylas. Ona pokazala originalnyj vzgljad Okuněva na istoriju russkogo iskusstva. No sluch o tom, čto na naj predstavleny vešči nedostatočnogo chudožestvennogo kačestva sozdaval ten' konflikta, soprovoždavšego jeje v tečenije vsej raboty. Pozdneje mif o nedostatočnom kačestvě ekspoziciji ješče boleje ukrepilsja. Kritičeski neosmyslennyj, on, k sožaleniju, prodolžajet svoju žizn' v trudach avtoritetnych specialistov i v nastojaščeje vremja.

    The preparation of the biggest exhibition of Russian art organised by the Institute of Slavonic Studies in Prague and N. L. Okunev started already before Czechoslovakia official diplomatic recognised the USSR. The chosen masterpieces originated from private collections in Europe and emigrant artists. The establishing of official diplomatic relations between the CSR and the USSR in the summer of 1934 resulted in creating new rules for the Czech organisations when working with the Russian emigrants. It started a conflict in the working commission that was organising the exhibition. A disadvantageous background for the event was the Czech “Manes” organising an exhibition of Russian and Soviet art from Soviet collec¬tions that finally did not take place. The historians of art F. Kovarna, J. Květ, and V. Volavka left the commission because they did not want to exhibit the works by N. Goncharova, M. Larionov, M. Dobuzhinsky, A. and N. Benois, Z. Serebryakova, B. Grigoryev, F. Malyavin and many others and without works of art kept in Soviet museums to take part. In spite of this protest and connected organizational problems, the exhibi¬tion took place. It reflected the original view of Okunev on the history of Russian art. But the rumour that it represented works of art that had lower quality created a shadow of conflict that accompanied it before it ended. Later the myth about the low quality of the exposition became stronger. Unquestioned critically, it continues to live in the works of respected specialist even nowadays.
    Trvalý link: http://hdl.handle.net/11104/0298579

     
     
Počet záznamů: 1  

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